The year 2011 did not set any new standards in music. It wasnot 2010. The top 3 albums from last year are easily better than anything fromthis year. But in many ways it was a year of new beginnings, as many newtalented artists released surprising debuts (James Blake, Katy B, Youth Lagoon,Cults, Washed Out) and seasoned artists pushed their music in new directions (M83,Beirut, Radiohead, Mates of State, Destroyer, Danielson).
This was the Year of Electronic Music. The seeds that weresown in 2010 bore fruit in 2011. James Blake is perhaps most symbolic of this trajectory,but the influence of electronic music can be seen everywhere. The rise ofdubstep as a legitimate and serious mode of pop music is perhaps the mostexciting development.
My pick for the most surprising album goes to Mates of Statefor Mountaintops. I’ve long been ahuge fan of their music, but the last few albums have been lackluster comparedto their earlier work. The new album does not retread old ground, but it bringsback a lot of the old magic. It is one of their best albums ever. My pick forthe biggest disappointment is an easy one: TV on the Radio, Nine Types of Light. After the stunningachievement of Dear Science, Iexpected something truly magnificent and groundbreaking for their follow-upeffort. Unfortunately, it is their least engaging and most uninspired product. Nodoubt the loss of bassist Gerard Smith on April 20 due to lung cancer was ahuge blow to the band. I can only hope that they are able to recover soon and fulfillthe promise of their earlier albums.
What follows are my top 50 albums of the year. Only the top 25are ordered in a way that I feel more or less confident about; the bottom halfare open to (nearly daily) revision.
Each year seems to have at least one album that expands thedefinition of “epic.” In 2011, that album was the stunning two-disc work byAnthony Gonzalez.
2. Bon Iver, Bon Iver
Overrated? Hardly. But even if it is, it’s for good reason.Justin Vernon’s sophomore album does much more than merely assuage those worriedthat his debut might have been a lucky accident born out of an unrepeatablerevelatory experience in the Wisconsin woods. And if I hear one more complaintabout the cheesiness of the last song, I might lose it.
3. The Antlers, Burst Apart
The Antlers had a tough act to follow after their beloved Hospice, but this is, I think, thesuperior album. It might be the album I listened to most in 2011, and it willprobably be the one that has the longest listening life.
4. James Blake, James Blake
Blake came on the scene in a big way with three magnificentEPs in 2010. His self-titled debut brought his singular (post-)dubstep visioninto full focus. Of all the albums from this year, this one still strikes me asthe most artistically impressive.
5. Katy B, On a Mission
Katy B was for 2011 what Robyn was for 2010: a supremelytalented female artist producing club-ready music without the mainstreamrecognition that each deserve. Kathleen Brien was indeed on a mission this year,and it paid off beautifully.
6. Handsome Furs, Sound Kapital
The husband-and-wife duo of Dan Boeckner (of Wolf Paradefame) and Alexei Perry fulfilled their promise with their third album, Sound Kapital. This album did for mewhat Sleigh Bells did last year: it gave me total sonic bliss. It was as if someonehad extracted the magical kernel within Apologiesto the Queen Mary and dressed it within the garb of electronic indie pop.It was love at first listen.
7. Youth Lagoon, The Year of Hibernation
The debut album by Youth Lagoon, the stage name of TrevorPowers, was perhaps the biggest and most pleasant surprise of the year. His catchy,atmospheric, dreamy, shoegazy sonic concoction delivers some of the year’sbiggest musical thrills.
8. The Field, Looping State of Mind
Swedish minimalist techno artist, Axel Willner, doing whathe does best. His third album is his best yet.
I want to live inside the landscapes of this album. It’s nosurprise that the German musical artist occasionally works as a park ranger. IfI had to pick a soundtrack for the year, it would be Diorama.
10. Cults, Cults
The Cults debut album—self-released in June—is just aboutthe perfect summer pop album. Its effortless blend of post-punk, power pop, andshoegaze makes me happy every time.
11. Beirut, The RipTide
12. Washed Out, Withinand Without
13. SBTRKT, SBTRKT
14. Arrange, Plantation
15. Cut Copy, Zonoscope
16. Lykke Li, WoundedRhymes
17. Fleet Foxes, HelplessnessBlues
18. Radiohead, King ofLimbs
19. Mates of State, Mountaintops
20. Gang Gang Dance, EyeContact
21. Destroyer, Kaputt
22. Girls, Father,Son, Holy Ghost
23. Thundercat, TheGolden Age of Apocalypse
24. Tim Hecker, Ravedeath,1972
25. Wild Beasts, Smother
26. Danielson, TheBest of Gloucester Country
27. The Horrors, Skying
28. Marissa Nadler, MarissaNadler
29. Richard Buckner, OurBlood
30. WU LYF, Go TellFire to the Mountain
31. AraabMuzik, ElectronicDream
32. John Maus,We Must Become the Pitiless Censors ofOurselves
33. Neon Indian, EraExtraña
34. Moonface, OrganMusic Not Vibraphone Like I’d Hoped
35. Nguzunguzu, ThePerfect Lullaby & Timesup EP
36. The War on Drugs, SlaveAmbient
37. Wilco, The WholeLove
38. Panda Bear, Tomboy
39. Real Estate, Days
40. Apparat, TheDevil’s Walk
41. Los Campesinos!, HelloSadness
42. Drake, Take Care
43. Beastie Boys, HotSauce Committee, Pt. 2
44. tUne-yArDs, WhoKill
45. Boom Bip, Zig Zaj
46. Iron & Wine, KissEach Other Clean
47. Shabazz Palaces, BlackUp
48. The Decemberists, TheKing Is Dead
49. Com Truise, GalacticMelt
50. Mountain Goats, All Eternals Deck
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